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Burshteyn certainly has the acting, singing and dancing chops to make this demanding role his own. While the entire cast does a great job, special kudos go to the talented dancers and to Taylor Chalker, who as Abagnale Jr.’s love interest, brings the house down with her gospel inspired “Fly, Fly Away.”. “Catch Me If You Can” continues at 8 p.m. Aug. 14-17. Go early and enjoy a picnic and gorgeous view of Oakland and (on a clear night) San Francisco. Call 510-531-9597 or go to www.woodminster.com for tickets.

The Ron Parks (aka Ronny Smooth) Show, 6 p.m, April 13, Club Fox, 2209 Broadway, Redwood City, $10, 877-435-9849 or www.clubfoxrwc.com, Mozart Comes to CSMA, 2 and 4 p.m, April 13, Tateuchi Hall, Community School of Music and Arts, Finn Center, 230 San Antonio Circle, Mountain View, Free, www.arts4all.org or 650-917-6800, ext, 305, Lara Price (Club Fox Blues Jam), 7 p.m, April 16, Club Fox, 2209 Broadway, Redwood City, $5, 877-435-9849 or www.clubfoxrwc.com, St Lawrence String Quartet, Good Friday concert, 5 p.m, April 18, Franz Joseph Haydn: Seven Last Words of Christ on the Cross, Memorial bandolino b flexible ballet flats Church, Stanford University, Free, Presented by Stanford Live in partnership with Music at Stanford and the Office for Religious Life, http://live.stanford.edu..

Clark’s last entry in his blog, entitled “the dance of conquest is going to have to wait“, was published before 7 p.m. Friday night. In it, Clark selected past photos of Guatemalan refugees, the Dance of Conquest, and ended with a photo of nine Guatemalan children who were reunited with their parents at the Texas border Aug. 8, 2018. With permission from John Tranter, Australian poet and publisher of Jacket Magazine, here is a selected passage from Clark’s Statement on Poetics.

Director of photography, Sean Price Williams, who has worked on all of Perry’s films, continues to shoot with a handheld camera, Though perhaps Williams’ time on “Impolex” and “The Color Wheel” has made the hand that holds the camera steadier, Whatever the reason, the technique is more effective in “Listen Up Philip”; the obsession with getting right up in the actors’ faces pays off, Their emotionality seems to jump off the screen, Moss continues to bandolino b flexible ballet flats expand her post-“Mad Men” portfolio in “Philip.” Though the AMC series doesn’t end its final season until next year, Moss is breaking away from the advertising copywriter box of Peggy Olson with incredible ease, Ashley, a successful commercial photographer, is one of her more affecting turns and nothing like Peggy, They are coincidentally in the same business, but different eras, different attitudes, and very different hair..

The message could not be clearer: Whatever is happening on your phone — in this case, on Facebook — is better than whatever “boring’ thing is happening in your life right now. It’s telling us to forget the world around us and go full-bore into cyberspace. It would be like McDonald’s running a commercial showing a sad little boring family eating plain chicken and steamed carrots and intercut it with much happier family gorging themselves on Big Macs, 20 piece McNuggets and then, just to hammer the point home, mainlining secret sauce.